Digital art exhibition: Sabrina Ratté

Jenoptik will be showing the video art "Florescendi" by Canadian artist Sabrina Ratté on the facade of the Ernst Abbe high-rise in Jena in March 2023.

13/03/2023 – 31/03/2023

Jenoptik's HQ, Ernst Abbe high-rise, Carl-Zeiss-Str. 1, 07743 Jena, Germany

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tangente digital art: Sabrina Ratté l "Florescendi"
March 13 to 31, 2023 at 7:30, 8:00, 8:30 and 9:00 p.m. each day
As of March 26, the projection times will be shifted back by 30 minutes each.
Accompanying information on the exhibition is available in the foyer of the Ernst Abbe building.

The animation "Florescendi" was adapted by the artist to be shown in large format in the public space at the Ernst Abbe high-rise in Jena. The art projection is Jenoptik's second digital art exhibition after the Berlin-based artist Julian Loscher in spring 2022.

With this modern form of the traditional art exhibition series "tangent", which has been in existence since 1994, Jenoptik combines its long-standing commitment to art with modern digital forms of presentation in line with the motto "More Light". Since 2021, the permanently installed video mapping system has been in operation, with which large-format images can be projected onto the Ernst Abbe high-rise.

For the realization we thank not only the artist but also our partners who accompany and support the further development of our art engagement: JenaKultur, Galerie Huber & Treff for curating our exhibitions and the laser event company for the maintenance of the video mapping facility.

Read more about the video mapping technology and equipment in our blog article Video mapping for “More Light” in the city of lights, Jena.

Portrait der kanadischen Künstlerin Sabrina Ratté

About the artist

Sabrina Ratté is a Canadian artist living in Montreal. Her practice focuses on the multiple manifestations of the digital image: analog video, 3D animation, photography, printing, sculpture, virtual reality and installation. The constant integration of new techniques allows her to explore the themes that run through her work in ever-changing forms: the influence of architecture and the digital environment on our perception of the world, the relationship we have with the virtual aspect of existence, the fusion between technology and the organic world. Her works are situated halfway between abstraction and figurative, landscape and architecture, and on the thin line that separates the real from the virtual.

Her work has been presented internationally in several institutions and is part of the collection of the Montreal Contemporary Art Museum. She was longlisted for the Sobey Art Award (CAN) in 2019 and received the award in 2020.

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